Monday, March 27, 2017
We present, by popular request, a revised Slipped Disc power list: 1 Anna Netrebko and Yusuf Eyvazov 2 Minnesota music director Osmo Vänskä and concertmaster Erin Keefe 3 Powerhouse Daniel Barenboim, pianist and festival director Elena Bashkirova 4 LSO chief Sir Simon Rattle, mezzo-soprano Magdalena Kozena 5 Boston chief Andris Nelsons, hyper soprano Kristine Opolais 6 Trumpeter Alison Balsom and new husband, director Sam Mendes 7 Tenor Roberto Alagna, soprano Aleksandra Kurzak 8 Soprano Sonya Yoncheva, conductor Domingo Hindoyan 9 Soprano Elina Garanca, conductor Karel Mark Chichon 10 Conductor Gennady Rozhdestvensky and pianist Viktoria Postnikova, together since 1969 11 Conductor David Robertson and pianist Orli Shaham 12 Composers Kaija Saariaho and Jean-Baptiste Barrière 13 Cellist Alisa Weilerstein, conductor Rafael Payare 14 Glyndebourne hosts Gus Christie and Danielle DeNiese 15 Violinist Nicola Benedetti, cellist Leonard Elschenbroich 16 Composer György Kurtág, pianist Marta Kurtág 17 Israeli composers Noam Sherriff and Ella Sheriff 18 Met boss Peter Gelb, conductor Kerry-Lynn Wilson 19 Pianist David Fray, director Chiara Muti 20 Cellist David Finckel and pianistWu Han, chamber music entrepreneurs
I bring you today a new recording by an excellent mezzo soprano, rather than by an orchestra, a string player, or a pianist. It is time for a change… Ha, ha… Her name is Elīna Garanča. This amazing singer explores the emotional storms raging in the lives of opera’s strong women with her new DG album ‘Revive’. Here are the titles: Berlioz: Ah! Je vais mourir (from Les Troyens) Cilea: Acerba volutta (from Adriana Lecouvreur) Ecco: respiro appena. Io son l’umile ancella (from Adriana Lecouvreur) Leoncavallo: È destin… (from La Bohème) Mascagni: Voi lo sapete o mamma (from Cavalleria rusticana) Massenet: Ne me refuse pas (from Hérodiade) Va! Laisse couler mes larmes (from Werther) Mussorgsky: Skushno Marina! (from Boris Godunov) Ponchielli: Stella del marinar!… È un anatema (from La Gioconda) Saint-Saëns: Amour, viens aider ma faiblesse (Samson et Dalila) Reine! Je serai reine! (from Henry VIII) Thomas, Ambroise: Connais-tu le pays (from Mignon) Verdi: Nei giardin del bello saracin ostello ‘Veil Song’ (from Don Carlo) Cor de la Comunitat Valenciana Rataplan, rataplan, della gloria (from La forza del destino) Cor de la Comunitat Valenciana All selections are performed by Elīna Garanča (mezzo), with the Orquestra de la Comunitat Valenciana, Roberto Abbado conducting. Presto Classical wrote the following: “Each of these complex and diverse women spring to life fully formed and meticulously differentiated, and you never get the sense that she’s using every item in her new technical tool-box for its own sake…And what a chest-voice!” Here is Ms. Garanca in Chanson from Boheme:
Elina Garanca has crashed out, ordered by her doctors to take a week’s break. She is replaced on July 22 and 24 by the Russian mezzo Ekaterina Gubanova – a fine artist but not quite the same fire-power as the other stars on show: Anja Harteros, Jonas Kaufmann and Bryn Terfel.
Message from a concerned Latvian musician, who requests anonymity: I am writing about the monopolisation of Latvian concerts… there is just one company running them. Concerts with distinguished musicians are being cancelled for no apparent reason. A leading cellist is being summoned to court for telling the truth on the national radio. The boss of Latvian Concerts, Guntars Kirsis earned 46,393 euros in 2014. An orchestra musician in Sinfonietta Riga makes 5,000 euros. Mr Ķirsis is very good friends with the Cultural Minister Dace Melbārde and with many of the ministers in the Latvian government. Musicians are afraid to speak out …especially those in Sinfonietta Riga whose work depends on ‘Latvian Concerts organisation. Leading musicians are seldom seen in Latvia because of the post-Soviet system: Kristine Blaumane, Vineta Sareika, Baiba Skride, Linda Skride, Lauma Skride, Elina Garanca, Andris Nelsons, Mariss Jansons, Kristine Opolais. The matters raised by our correspondent are of global concern since Latvia is one of the most productive sources of high-grade musical talent.
As a youngster, my parents took me once to see and hear a performance of the Opera “Tales of Hoffman”. It is a tuneful experience, and a story that is suitable for kids. It is great how a musical experience can stay with you for so long, as is the case for me with this Opera. This morning, I heard two great singers performing a selection from this work, and I want to share it with you. Here are Anna Netrebko and Elina Garanca in the Barcarolle from Tales of Hoffman:
The New York Times has majored on the Met staging its first opera by a woman composer since 1903. The opera is Kaija Saariaho’s L’Amour de Loin and its has been doing the rounds in Europe since its Salzburg premiere in 2000. Fellow-Finn Susanna Mälkki with conduct. Nice. Less encouraging is the realisation that only five other productions will be new. They are: Tristan und Isolde to open the season on September 26, with Nina Stemme, Stuart Skelton and René Pape, Simon Rattle conducting. Rossini’s Guillaume Tell follows with Gerald Finley is in the title role, Marina Rebeka as Mathilde, Fabio Luisi conducting. It hasn’t been done at the Met since 1931. Gounod’s Roméo et Juliette features Diana Damrau and Vittorio Grigolo. Dvorak’s Rusalka will parade Kristine Opolais, Katarina Dalayman, Jamie Barton, Brandon Jovanovich and Eric Owens, conducted by Mark Elder. And finally, on April 13, 2017, Der Rosenkavalier with Elina Garanca and Renée Fleming, under the baton of James Levine. The casting throughout is superb, but you do wonder whether six new shows are enough to stir a sluggish box-office.
Great opera singers